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Music Production School The Master Mixing Course (New Version) TUTORiAL [oddsox]

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Description

 							
  
  
  The Master Mixing Course is specifically designed to hone the
skills acquired from the Basic and Advanced Mixing Courses. The lessons learned in this course will define the master
mix engineer’s mental and technical approach to the most common problems encountered in the mixing process on an
instrument by instrument basis.
  
  The objective of this course is to teach you a master’s approach
to mixing that will turn your “mixes” into finished, professional sounding “records”.
  
  The Master Mixing Course Includes:
  
  10 three-hour Classes
  Each class provides mixing
demonstrations. (30 hrs total)
  1 Year Access to all Class Videos and materials
  Direct Email access for
course related questions
   
  
   
  
  
  
   The Program
  Each of the 10
Classes itemized below includes 3 hours of mixing demonstrations. The lessons are divided up into individual videos as
listed below for reference and ease of access.
  
  Class 1: Mastering the Basics of Mixing
  What
separates a master mix engineer from the rest is not secret information, expensive gear or loads of plugins. It is their
mastery of the basic principles of mixing. It is also important to understand the approach different genres of music.
This is much more than just ‘liking’ a style of music, it is about understanding the engineering principles
and approach that creates that sound
  
  Master the Basics of Mixing
  Mixing and Loudness
  Mixing
for Your Audience
  Mixing Pop Records
  Mixing Rock/Metal Records
  Mixing Hip-Hop/Rap Records
 
Mixing Dance/Remix Records
  Mixing EDM Records
  Mixing Retro Records
  Mixing Classical/Jazz records
   
  
  Class 2: Mixing Acoustic Drums
  Historically, engineers have always been defined by their
ability to get great drum sounds. This measure was created due to the many challenges of getting great sounds with
acoustically recorded drums. These lessons will teach you the essential elements for getting great acoustic drum
sounds.
  
  Mixing Acoustic Drums
  Assessing Drums Sounds
  Phase Aligning Drums
  Gates vs.
Automation
  Mixing Bass Drums
  Mixing Snares
  Mixing Toms
  Mixing Hi Hats and Cymbals
 
Mixing Room Mics
  Sample Replacement
  Working With Effects
   
  
  Class 3: Mixing
Programmed Drums and Percussion
  Programmed Drums have the advantage of isolated sounds, but also offer many
challenges that are not obviously apparent. These lessons will teach you how to work with programmed drums and also
cover mixing acoustic percussion.
  
  Mixing Programmed Drums
  Mixing Programmed Bass Drums
 
Mixing Programmed Snares
  Mixing Programmed Fills
  Mixing Programmed Hi Hats and Cymbals
  Mixing
Programmed Percussion
  Making Programmed Drums Sound Real
  Mixing Programmed Drum Effects
  Mixing
Acoustic Percussion
  Mixing Sampled Loops
   
  
  Class 4: Mixing Bass and Guitars
  The
foundation of a rhythm section is defined by the way bass and guitar sounds are blended in with the drums. Guitar and
Bass may actually be the most difficult of instruments to mix effectively because of the complexity and range of
frequencies they occupy. These lessons will cover the broad spectrum of challenges that come with getting great sounds
for guitars and basses.
  
  Working With low Frequency Instruments
  Mixing Bass Amps and DIs
 
Re-amping Basses
  Mixing Programmed Basses
  Mixing Acoustic Guitars (single and multi-mic)
  Mixing
Clean Electric Guitars
  Mixing Distorted Electric Guitars
  Re-Amping Guitars
   
  
  Class
5: Mixing Piano, Classic Keys and Synths
  Keyboard Instruments cover an extraordinarily wide range of sounds,
tonal colorations and frequencies. This means that they serve many different roles in a mix from occupying the basic
rhythm section, to groove generating melodic rhythms, to atmospheric pads and all the way up to solo or lead
instruments.
  
  Mixing Acoustic Piano
  Mixing Classic Keyboards
  Mixing Organs and Rhodes
 
Mixing Electronic Pianos
  Mixing Analog Synths
  Mixing Bass Synths
  Mixing Pads and Strings
 
Mixing Percussive Melodic Synths
  Mixing Lead Synths
   
  
  Class 6: Mixing Orchestral
Instruments
  Orchestral Instruments are widely used in almost all styles of music. The wide range of sounds and
rich history offer many challenges to the mix engineer’s ability to clearly define each instruments unique
character and sound.
  
  The Layout of an Orchestra
  Mixing Strings – Group and Solo (Bass,
Cello, Viola, Violin)
  Mixing Woodwinds (Flutes, Saxes, Clarinets, Oboes, Bassoons)
  Mixing Brass
Instruments (Trumpets, Trombones, Big Brass)
  Mixing Pitched Orchestral Percussion (Vibes, Xylophones, Triangles
Etc…)
  Mixing Tympani
  Mixing Harpsichords
  Mixing Harps
  Mixing Orchestral Hits and
Samples
   
  
  Class 7: Mixing Miscellaneous Instruments and Sound Effects
  There are many
instruments that fall between the cracks of most songs. But their unique nature and sound require special treatment in
order to preserve their authenticity and character in a mix.
  
  Mixing Ukelele and Mandolin
  Mixing
Banjos, Pedal Steel and Slide Guitar
  Mixing Blues Harp and Harmonica
  Mixing Accordions and Harmonium

 Mixing Sound Effects
  Mixing Environmental Sounds
  Mixing Explosions and Gunshots
  Mixing Cinematic
Effects
   
  
  Class 8: Mixing Lead Vocals
  No single instrument is featured more in music than
the lead vocal. Because the human ear is more sensitive to the human voice than any other instrument, mixing vocals
requires extra special attention.
  
  Mixing Male Vocals
  Mixing Female Vocals
  De-Ess, De-Breath
and Plosives
  Pitch Correction (Natural and for Effect)
  Mixing Reverb and Early Reflections for Vocals
  Mixing Delays For Vocals
  Mixing Telephone, Megaphone and Distortion Effects
  Automation Techniques for
Vocals
   
  
  Class 9: Mixing Background and Group Vocals
  Mixing background and group vocals
also offers many challenges in the mixing process. Panning, balancing harmonies, correcting timing and pitch issues are
just a few.
  
  Mixing Vocal Doubles
  Mixing Vocal Harmonies
  Mixing Group Harmonies
 
Mixing Gang Vocals
  Mixing Choirs and Choral Groups
  Adding Size and Numbers to BG Vocals
  Effects
Processing Techniques For BG Vocals
   
  
  Class 10: The Finished Mix
  The final lessons in the
Master Mixing Course are designed to focus your approach on the fundamental elements that make a mix into a finished
record. Without these basic elements any mix, no matter how good the sounds, will never come to life.
  
 
Establishing the Groove of a Song
  Establishing the Shape of a Song
  Mixing the Transitions
  Guiding
the Listener’s Attention
  Mixing and the Art of Deception
  Bringing Emotion Into a Mix
  The Art
of Mixing – Final Thoughts
  
  
  http://blog.music-production...er-mixing-courselaunch-page/
   						

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